Lynch films tend to be prone to be included in lists of films for all kinds of reasons. In this case the protagonist is Mulholland Drive, appearing in the top 5 of “films that we never understood” of the Argentine newspaper La Nación, specifically in the position number 4. However miracles Amondaray, the author of the article, It is fairly well to the film by Lynch in the review that makes the movie.

Miracles writes the following about Mulholland Drive:

But I chose Mulholland Drive, It is of David Lynch and the Top Five in particular, the alternatives were many (Eraserhead, For example). I remember seeing this film at the time of its release and, to turn on the lights of the room, suffering from a sort of sensory reaction, no place to streamline the story or to find explanations. After I discussed it and went to see countless times – in different times and contexts – and everything that seemed unfathomable suddenly was there, under my nose. In relation to that experience, I always considered Mulholland Drive as a film in which Lynch seeks to unsettle, thrill, Although we do not know well all the reasons, Although there are sequences that are still more episodic than cohesive (as that leave more below) and, above all, because it is impossible to not be moved to see how the author (because Lynch is an author primarily) It tells the story of an unrequited love with those particular resources.

Via | The nation