Night, the darkness and the suburbs are recurring elements in the cinema of David Lynch, you help create these disturbing and dreamlike atmospheres so characteristic in its cinema. Gabriel Lara Villegas has made an article that treats all these elements the American director's film, more specifically, from velvet blue.
I leave with you the beginning of the article:
Now it's dark. The catalogue of the virtues of the night (or the darkness, for the case) would have to start with the concealment: thieves are hiding behind it, hits, shooting, war planes, tears - the latter, above all: almost all the lonely cries of the world happen at night. Also shadow and betrayal. Lovers, Of course, and all the drugs we know, they hide at night.
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