New book for sale on David Lynch. In this case the author, Juan Diego Parra Valencia makes an analysis of the work of Lynch very focused on Deleuze's philosophy, We leading to a completely different story from what we are accustomed.
At the moment it is only available in Colombia, but soon also come to Spain. I have already opened their file if you want to rate it.
The book focuses on an analysis of INLAND EMPIRE, Mulholland Drive and Lost Highway from a different perspective to other books and analysis of these films. Try searching the implications of the analysis French philosopher Gilles Deleuze of the work of Lynch.
I read only the chapter on INLAND EMPIRE and I have to say pleasantly surprised. It is a denser analysis, deeper than in other works, which makes that, although at first it may cost more to digest or understand, you just taking a different level of knowledge, to discover things that had not yet discovered by analyzing films Lynch. Certainly a very interesting work.
You can purchase it for the moment from Books and Publishers
I leave a brief official synopsis and the book's index:
This book seeks the implications of Deleuzian analysis in the work of David Lynch film director, taking it as a case of exception in the evolution of cinema today, where they are condensed so accurate searches of the French philosopher around the image and thought. There is therefore a devenir-cine of philosophy, as well as a devenir-filosofia of the cinema, starting from these two authors. The study includes the last productive phase of Lynch to the present, highlighting the sense of images from movies Lost Highway, Mulholland Dr. e Inland Empire, which we recognize the expressive capabilities of the American director variables that let you create image, in a cinematic experiment unprecedented that allows us to move from psycho-cinematography to the neuro-cinema.
Introduction: Notes for a filmmaking philosophy: David Lynch film and becoming philosophy. A reading Deleuze
Film and Philosophy: resonances and dissonances
Guilles Deleuze and philosophy cinematographic
David Lynch and philosophical film
I. Inland Empire and neuro-film Lynchian: image-time image-brain
1.Weather: the Inland Empire
2. Layers of the past and << openings>> Phantom
3. The room of rabbits and intermediaries worlds
4. The Axxon portals and brain
5. The remake and overlapping layers
6. The crystal-image: Nikki and mirror
7. Crisis presentation and function of lost girl
II. Lost Highway and schizoid film
1. Psychoanalytic criticism of interference in Lost Highway
2. Inorganicidad and narrative runout Lost Highway
3. Forms of time and space Lost Hightway
4. False powers: falsifying narration and character forger
5. Lost objectivity and subjectivity in Hightway
6. Mystery man or the camera man
7. <<I is another>> and space Moebiano
III. Mulholland drive: Lynchian signs and psycho-Cinematografia
1. Lynch and signs
2. The dream-image
3. Paramnsia (o already seen) en Mulholland DR
4. Brief abductivo analysis of signs- enigmas: Blue Box, the key, the beggar
5. Silence club and Lynchianos automata: del flash-back visual
conclusions
Bibliography
Filmography David Lynch
